I was drawn to collaging secondhand books as a way of telling America’s story, embracing the character of use and reuse so the work functions almost like a quilt.

“American Mosaic,” 2026; (Click on images for more info).

As an overtly political and conceptual work, 51 Books confronts the contested terrain of national identity, civic belonging, and the ongoing struggle over who gets to define the American flag—its form, its meaning, its power.

“51 Books,” 2025

In this series, the barcode is more than a graphic device—it’s a flag of false idolatry, challenging the viewer to consider what we worship: the artwork itself, or its cost?

“Barcodes,” 2025

“New American Landscapes” explores a broader argument for understanding what nature, environment, and landscape are in contemporary art right now and how we define what a landscape is in the digital age.

“New American Landscapes,” 2024; American University Museum, Washington, DC

“New American Landscapes” explores a broader argument for understanding what nature, environment, and landscape are in contemporary art right now and how we define what a landscape is in the digital age.

“New American Landscapes,” 2024

“New American Landscapes” explores a broader argument for understanding what nature, environment, and landscape are in contemporary art right now and how we define what a landscape is in the digital age.

Studio View, 2023

“Color School,” 2022

“Brancusi as Champion,” 2021

“Dollar City,” 2021

“Pleasure’s Promise,” 2021

“Dollar City,” 2021

“Pleasure’s Promise,” 2020

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“Life/Ogonyok,” 2020

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“Moscow Made, American Born,” 2020

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“Marlboro by Malevich,” 2020

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“Moscow Made, American Born,” 2020

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“Solaris: Shelter for the Next Cold War,” 2019

“Solaris: Shelter for the Next Cold War,” 2019

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“Solaris: Shelter for the Next Cold War,” 2019

“Solaris: Shelter for the Next Cold War,” 2019

“Solaris: Shelter for the Next Cold War,” 2019

“The Ten Commandments,” 2019

“Helium Revolutionaries,” 2023